SE0440 – Old-Time rural
No |
Titre de la pièce | Artiste ou groupe |
| 1 | Cowboy’s Swing (1938) | Hank Penny And His Radio Cowboys |
| 2 | The L&N Don’t Stop Here Anymore | Jean Ritchie |
| 3 | The Lost Child | Stripling Brothers |
| 4 | A Lazy Farmer Boy | Carter & Young |
| 5 | New San Antonio Rose (1940) | Bob Wills & His Texas Playboys |
| 6 | Where I’m Bound | Bob Gibson |
| 7 | Sunbonnet Sue | Fort Worth Dough Boys |
| 8 | Buster’s Crawdad Song (1936) | Tune Wranglers |
| 9 | Bake That Chicken Pie | Jackson County Barn Owls |
| 10 | The Steeley Rag | Red Headed Fiddler |
| 11 | Paddlin’ Blues | Gitfiddle Jim |
| 12 | If I Were Free | Dian James |
| 13 | If The Light Was Gone | Ernest Phipps |
| 14 | Lady Gay | Buell Kazee |
| 15 | Sand Mountain Drag | Dilly & His Dill Pickles |
| 16 | Mother Is With The Angels | Wright Brothers Quartet |
| 17 | Joe Hill | Earl Robinson |
| 18 | Pussy Pussy Pussy (1938) | The Light Crust Doughboys |
| 19 | One Sweet Letter From You (1937) | Cliff Bruner’s Texas Wanderers |
| 20 | Big Daddy Blues (1936) | Jimmie Revard And His Okahoma Playboys |
| 21 | Cotton Mill Girls | Hedy West |
| 22 | The Yellow Rose of Texas (1936) | Milton Brown & His Musical Brownies |
| 23 | Sugar Baby | Dock Boggs |
| 24 | The Train That Carried My Girl From Town | Frank Hutchinson |
| 25 | Pan American Man | Cliff Carlisle |
| 26 | You Can’t Keep No Brown | Bo Weavil Jackson |
| 27 | Coplas | Cynthia Gooding & Theodore Bikel |
| 28 | I’ll Keep My Old Guitar (1938) | Adolph Hofner & His Texans |
| 29 | A Wanton Trick | Ed McCurdy |
| 30 | It’s Just Like Heaven | Vaughan Quartet |
| 31 | Streamlined Mama (1937) | Buddy Jones |
| 32 | Think A Little | G. Wade & F. Braswell |
| 33 | Serves’ Em Fine | Dave & Howard |
| 34 | The Maid Freed From The Gallows | John Jacob Niles |
| 35 | My Buddy Blind Papa Lemon | King Solomon Hill |
| 36 | Loud Mouth (1937) | Modern Mountaineers |
| 37 | I Feel Like I’m Fixin’ To Die Rag | Country Joe & The Fish |
Archéologue musical depuis ses 15 ans en 1983 (ouais, ça sent Popoca la momie aztèque ici!), Eric traîne ses savates de sillon en sillons, du punk au classique, de l’industriel au jazz, du psychotronique au folk, et de la variété au world beat. Bien évidemment, ça fait beaucoup de bagages si on y ajoute toute de sorte de ragots, de rumeurs et de bavardages à moitié bien rapportés en live. Mais il aime tout cela le brave et donne de son sang et de son temps. On lui pardonnera donc sans confession !